Comedian Brent Weinbach covers a variety of pop culture topics such as identity, lifestyle, and Michael Jackson. This is all done in an absurd way through physical humor, wordplay, music, and impressions. Most of all, Weinbach's hour is a visceral experience not meant to be taken seriously.

好歌不妨一聽再聽！由黎小田、薛家燕、曹永廉、湯寶如主持的《流行經典50年》，繼續送上多個年代的金曲。為讓觀眾欣賞到高質素的音樂，小田哥除了擔任節目音樂總監，還會親自彈奏鋼琴現場伴奏。 　　四位主持更為節目「碌盡人情咭」，除了請來具份量的樂壇前輩之外，多名久未露面的歌手亦應邀現身。登場「星級」嘉賓計有區瑞強、Maria Cordero、陳松伶、梁雁翎、胡渭康、林利、莫鎮賢、袁鳳瑛、方麗盈等，陣容鼎盛！

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

《洛奇》40周年纪念，将西尔维斯特·史泰龙的经典作《洛奇》拍摄时的幕后片段，集结而成的纪录片。

小説家の私（本木雅弘）は、妻の春子（安藤サクラ）と４歳の娘・左枝子、二人の女中とともに暮らしており、娘の健康に対して臆病なほど神経質である。娘には夏でも風邪を引かぬように厚着をさせる。外で人が娘に対し物を食べさせようとすると、腹痛を起こすかも知れぬから絶対拒否等々。左枝子の前の子を流行り病で亡くしており、当然の帰結・徹底だと思っている。 　　時は、大正7年（1918）秋。流行感冒（スペイン風邪）が流行り感染者が増える中、女中の石（古川琴音）が、よりにもよって村人が大挙集まる旅役者の芝居興行を見に行ったのではないか、という疑念が沸き上がった。 　　石は普段から少し愚鈍に見え軽率な行為も多い女中であった。彼女ならやりそうな事だと問いただしたが、石は行ってないと言う。が、私は、そんな疑念を日頃から起こさせる彼女をこの機会に辞めさせようと思った。 　　大騒動となったが、妻の春子はそんな理由で辞めさせては世間体が悪いと言い、私に冷ややかな眼差しを向けた。 　　私は暴君になった心持ちがし、石を辞めさせることを思いとどまるのだが・・・。

青年回家筹备电影的拍摄，被噩梦困扰的婶婶请青年的父亲帮忙做法安神，青年得到灵感，希望可以把做法编排为电影的一部分，然而他却找不到愿意出演的演员......

《歌曲的诞生》是韩国最顶尖的制作人们将未发表的一首歌曲，在45分钟之内编曲进行对决的音乐艺能节目。

《歌曲的诞生》是韩国最顶尖的制作人们将未发表的一首歌曲，在45分钟之内编曲进行对决的音乐艺能节目。